Reading this I’m beginning to believe things could be getting better in the recorded music industry.
This past weekend I started playing with Beats Music again and have begun questioning the care and meticulousness of my own iTunes collection. I can’t think of a better example then last weekend when I was updating Elton John metadata, hunting for the right year, trying to get high-quality artwork. Then it dawned on me. “Wait a second, I don’t even really like Elton John that much!”
In a single $10 a month payment nearly all my music collection is available, as are all the new releases I’d be paying $10 each for anyway. Sure, if I stop paying it all goes away, but has there ever been a month where I haven’t paid at least $10 in iTunes downloads? No.
So after years of using iTunes, updating ratings, organizing smart playlists to help me wade through tens of thousands of songs, I’m coming around on the idea that I don’t need to own and organize this stuff anymore. I probably haven’t listened to most of my collection in years. These digital music files may as well be like the boxes of CDs I have in a storage room. Except they show up in smart playlists and are often skipped over.
…I still wish I could just login to my Beats Music account using iTunes on my Mac.1
I’m also liking the idea that a new band can get the ears of millions of people in as little as two days.2
Maybe this right now is the golden age of music.
I know that goes against other things I’ve written here, about how the streaming model is unsustainable…but that was before reading Albini’s address and his deconstruction of “We need to figure out how to make this digital distribution work for everyone.”