Your scores have been cited by a lot of modern synth/ noise/ underground bands as a huge influence. Are you aware of this? What do you think of the resurgence in interest in your scores, as well as those of Goblin or Vangelis? Is it a case of people catching on belatedly to the innovations you spear-headed?
JC: I’m flattered by this. But there are also tribute bands to the scores from Sonic the Hedgehog and Mega Man video games so I try to keep this stuff in perspective.